All Narfed Up photography and words by Bryan Villarin

Jump into film or digital photography?

I started to write these under my entry for the Epic Edits $50 film camera photo project. But, this deserves its own post.

When I was lured into photography, all I wanted to do was create cool photos. As you get into it, you start to see other factors coming into play.

Keep in mind that with a point-and-shoot JPEG camera, I didn’t feel a lot of the digital costs. Once I bought a DSLR camera and switched to RAW, I was “hit” pretty hard. (In my opinion, Michael Mistretta’s “RAW vs JPEG” post explains it well.) However, I hope to recoup the costs.

Despite everything mentioned above, don’t be shied away. The pros of the art outweigh all of the negatives.

I’m sure I missed something. If you’re in a cozy RSS reader, please come over here and leave your thoughts in the comments. Thanks!

 

4 Comments

Both have their strengths! I use both. I must say though, there is just something about film and old cameras that you just can’t get out of a DSLR, no matter how expensive it is.

Posted by Marcus on 26 September 2008 @ 6pm

I agree with Marcus — old film cameras plus the right film creates something that no amount of Photoshopping can produce. Since I started shooting film, I’ve even cut way back on my digital b/w conversions because I get such better results from actual b/w film.

So yup, both have their merits… which is why I usually take my digital plus a couple of film cameras when I go shooting.

Posted by Brian Auer on 26 September 2008 @ 6pm

Thanks for the link :D

You wrote: “In addition, you don’t have the luxury of on-the-fly ISO switching”

This is true to a certain degree, though some films such as Ilford XP2 and BW400CN have a wide exposure latitude. For example Xp2 has a response range of 160ASA through to 800ASA. Granted the photos taken at 800 tend to lack contrast, but this can always be fixed in post.

Then there is the case of negative films having such a high latitude to begin with.

Finally there is/was Fuji slide film 100/1000. As I understand it you can shoot anywhere between those speeds as long as you don’t change the ISO mid roll like you can with XP2, so in the even that you might be heading to a location with unknown lighting conditions.

Or you could rewind mid roll and exchange the canisters for a higher/lower speed, or even just decide to “push” (compensate in developing for underexposing) the film.

There are always ways. And as Brian showed in his $50 camera project, the startup cost on film is substantially lower!

Posted by the_wolf_brigade on 26 September 2008 @ 7pm

Wow, excellent additions - thanks guys!

Posted by Bryan Villarin on 28 September 2008 @ 10pm

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