I wasn’t going to participate in Epic Edits $50 film camera photo project. But, when I went photowalking a few weeks ago at Balboa Island with Brian Auer and Alex Orsburn, Brian offered to let me borrow his Minolta SR-T Super, 135mm f/2.8 lens[1. He also had a 50mm f/1.4, but I wanted telephoto because I was using my nifty fifty on my Canon EOS 40D.], and eight rolls of film. He’d even get them developed and scanned for me – what a great friend! I didn’t want to make it hard on him, so I only used two rolls. The roll I’m using here is Ilford Delta-100 Professional 135-36 Black & White Print Film (ISO-100).
Brian loaded the film, set the ISO speed for me[2. I think it underexposured two stops.], and I was ready to go.
The following is what what mattered to me most:
- built-in light meter, coupled with the shutter speed and aperture
- shutter speeds: Bulb, 1-1/1000
- aperture and shutter speed displayed in viewfinder
- a quick return mirror
Experience with the film SLR camera
I’ve never photographed in full manual. I was scared of needing to adjust aperture, shutter speed and focus before pressing the shutter. Fortunately, there was a light meter. Phew!
Brian told me that he sets his shutter speed at 1/1000 (max) then adjusts the aperture accordingly. So, it’s kind of like aperture priority. Once I got into a groove, it wasn’t bad at all.
The only film I’ve ever loaded was in those inexpensive point-and-shoot cameras. Align the film behind the shutter, snap the roll in place, then close the back. No need to wind because the camera did the rest. Here, it was a bit more involved, so I asked Brian for help. With the Minolta SR-T Super, you have to wind once, press the shutter, then repeat, until it was all the way around the spool.
Manual focusing was my other minor annoyance. I missed quite a few photos because I wasn’t focused and ready to press the shutter.
I felt less conspicuous because I was taking photos one exposure at a time – no continuous bursts. Also, it wasn’t as big as my Canon EOS 40D[3. At the same time, a minor annoyance considering that the 40D fits my hands pretty well.].
The lack of instant gratification is exhilarating. I framed a photo, pressed the shutter, and that was all I could do. No chimping possible.
At times, digital feels too clean. Since I’m in a street photography mode, the slightly gritty “feel” of the film photos appealed to me.
Like I said earlier, that light meter was clutch.
These are my three favorite photos:
You can view the rest of the roll at Flickr. I hope you like them!
P.S. Thanks to Brian Auer for lending me the camera, developing and scanning the photos, FTP-ing them to his server for me to download, and taking photos of the camera itself. He rocks.
I’m writing a short follow up which didn’t need to be crammed into this post. It’ll be up by next Monday, at the latest. If you don’t want to miss it, please subscribe to my RSS feed. Thanks!
Update 9/23/08: I just realized I never posted my follow up. Blast! I promise it’s in draft right now and almost ready to publish.